Voice Page

If Mono mode is deactivated, you can use this parameter to specify how many notes can be played simultaneously.

Activates monophonic playback.

This option is only available in Mono mode. If Retrigger is activated, a note that was stolen by another note is retriggered if you still hold the stolen note when you release the new one.

This way, you can play trills by holding one note and quickly and repeatedly pressing and releasing another note, for example.

Defines the trigger behavior for new notes.

• Normal triggers a new note when the previous note gets stolen. The sample and the envelope of the new note are triggered from the start.

  To minimize discontinuities, use the Fade Out parameter of the zone.

• Resume does not always trigger a new note.

  If the new note stays within the same zone, the envelope is retriggered, but resumes at the level of the stolen note. The pitch of the zone is set to the new note.

  If the new note plays in a different zone, the sample and the envelope of the new note are triggered from the start.

• Legato does not always trigger a new note.

  If the new note stays within the same zone, the envelope keeps running. The pitch of the zone is set to the new note.

  If the new note plays in a different zone, the sample and the envelope of the new note are triggered from the start.

• Resume Keeps Zone does not trigger a new note upon note stealing. The envelope resumes at the level of the stolen note and the pitch of the zone is set to the new note, even if the new note plays in a different zone.

• Legato Keeps Zone does not trigger a new note upon note stealing. The envelope keeps running and the pitch of the zone is set to the new note, even if the new note plays in a different zone.

Allows you to bend the pitch between notes that follow each other. You achieve the best results in Mono mode.

Activate this parameter to glide the pitch only between notes that are played legato.

Sets the glide time, that is, the time it takes to bend the pitch from one note to the next.

Adjusts the pitch in octave steps.

Allows you to adjust the pitch modulation by MIDI note number. Set this parameter to positive values in order to raise the pitch the higher you play. Use negative values to lower the pitch the higher you play. At a setting of +100 %, the pitch follows the played note exactly.

Allows you to specify how unison voices are spread in pitch. Changing the unison voice distribution will create different modulations between the unison voices.

• If this is set to 0, the distribution is linear, that is, all voices have an equal distance in their pitch offset.

• Raising the value stretches the distribution using an exponential curve, so that the first unison voices have a smaller pitch offset than the second and third.

• Decreasing the value stretches the distribution using a negative exponential curve, so that the first unison voices have a larger pitch offset than the second and third voices.

Determines the range for the modulation that is applied when you move the pitchbend wheel.