Types of fermatas
There are different types of fermatas available in Dorico. Each fermata indicates a suggested pause duration whilst leaving room for interpretation.
|
Fermata |
Description |
|---|---|
|
Very short fermata
|
Indicates that a note is held only a fraction longer than the rhythm indicates. |
|
Short fermata
|
Indicates that a note is held a little bit longer than the rhythm indicates. |
|
Short fermata (Henze)
|
Indicates that a note is held a little bit longer than the rhythm indicates, as used by Hans Werner Henze. |
|
Fermata
|
Indicates that a note is held for longer than the rhythm indicates. |
|
Long fermata
|
Indicates that a note is held quite a lot longer than the rhythm indicates. |
|
Long fermata (Henze)
|
Indicates that a note is held quite a lot longer than the rhythm indicates, as used by Hans Werner Henze. |
|
Very long fermata
|
Indicates that a note is held for much longer than the rhythm indicates. |
|
Curlew (Britten)
|
Indicates that a note or rest is held until the next synchronization point in asynchronous music, as used by Benjamin Britten. |
Fermatas can be divided into two styles. Because their meanings overlap, it can be confusing for players if both styles are used in a single project.
|
Style |
Very short fermata |
Short fermata |
Fermata |
Long fermata |
Very long fermata |
|---|---|---|---|---|---|
|
Normal |
|
|
|
|
|
|
Henze |
N/A |
|
|
|
N/A |