Modulation Destinations

Modulates the pitch. For example, assign one of the LFOs to create a vibrato effect. If Pitch is selected, the modulation depth is set in semitones (-60 to +60).

Modulates the filter cutoff.

For example, to create rhythmic patterns in the spectral timbre, assign the Step Modulator.

Modulates the filter resonance. Resonance changes the character of the filter.

For example, to increasingly accent the filter the harder you hit a key, assign Velocity to Resonance.

Modulates the filter distortion.

This has no effect on the Classic, HALion 3, and Waldorf filters.

Modulates the x-axis of the filter in Morph XY mode. Use this to morph between the filter shapes AD and BC.

Modulates the y-axis of the filter in Morph 2, Morph 4, or Morph XY mode. Use this to morph between the filter shapes AB and DC, for example.

Modulates the cutoff offset of the second filter in Dual Filter Serial or Dual Filter Parallel mode. For example, to lower or raise the cutoff of the second filter while playing, assign the modulation wheel.

Modulates the resonance offset of the second filter in Dual Filter Serial or Dual Filter Parallel mode. For example, to lower or raise the resonance of the second filter while playing, assign the modulation wheel.

Adds to the level setting. It can be used to create level offsets using the modulation wheel, for example.

Modulates the gain. This modulation multiplies with the level.

It is ideal for crossfades between layers.

As Volume 1. Volume 1 is multiplied with Volume 2. This way, you can build more complex modulations.

Modulates the position of the layer in the panorama. For example, to move the layer around freely, assign the User Envelope.

Modulates the start position of the sample playback. For example, assign Note-on Velocity to play back more of the attack of a sample the harder you hit a key. This modulation destination cannot be modulated continuously. The parameter is updated only when you hit a key.

Modulates the speed factor of the sample.

Modulates the formant shifting.

Modulates the pitch of the corresponding oscillator.

For example, to detune an oscillator cyclically, assign one of the LFOs.

Modulates the level of the corresponding oscillator.

For example, to fade an oscillator in and out while you play, assign the modulation wheel.

Modulates the shape and character of the corresponding oscillator.

For example, to change the character of an oscillator over time, assign one of the envelopes.

Modulates the Detune parameter of the individual oscillator voices that are produced by the multi-oscillator mode.

Modulates the pan position of the individual oscillator voices that are produced by the multi-oscillator mode.

Modulates the number of oscillator voices that are produced by the multi-oscillator mode.

Modulates the level of the sub oscillator. For example, to fade in the oscillator while you play, assign the modulation wheel.

Modulates the level of the ring modulation effect. For example, to fade in the ring modulation while you play, assign the modulation wheel.

Modulates the level of the noise generator. For example, to fade in the noise generator while you play, assign the modulation wheel.

Modulates the speed of the corresponding LFO.

For example, to control the speed of a vibrato effect while you play, assign Aftertouch.

Modulates the waveform of the corresponding LFO.

For example, to vary the waveform with the playing position on the keyboard, assign Key Follow.

Modulates the speed of the step modulator. For example, assign an LFO to increase or decrease the speed cyclically.

Modulates the shape of the edges of the step modulator if the Slope parameter is active. For example, assign the modulation wheel to blend from hard to smooth edges.

Modulates the attack time of the amplitude envelope. This modulation destination cannot be modulated continuously. The time is updated only when the segment starts.

Modulates the decay time of the amplitude envelope. This modulation destination cannot be modulated continuously. The time is updated only when the segment starts.

Modulates the sustain level of the amplitude envelope. This modulation destination cannot be modulated continuously. The level is updated only when the segment starts.

Modulates the release time of the amplitude envelope. This modulation destination cannot be modulated continuously. The time is updated only when the segment starts.

Modulates the attack time of the filter envelope. This modulation destination cannot be modulated continuously. The time is updated only when the segment starts.

Modulates the decay time of the filter envelope. This modulation destination cannot be modulated continuously. The time is updated only when the segment starts.

Modulates the sustain level of the filter envelope. This modulation destination cannot be modulated continuously. The level is updated only when the segment starts.

Modulates the release time of the filter envelope. This modulation destination cannot be modulated continuously. The time is updated only when the segment starts.

Modulates the level of the first pitch envelope node. This modulation destination cannot be modulated continuously. The level is updated only when the segment starts.

Modulates the attack time of the pitch envelope. This modulation destination cannot be modulated continuously. The time is updated only when the segment starts.

Modulates the level of the second pitch envelope node. This modulation destination cannot be modulated continuously. The level is updated only when the segment starts.

Modulates the decay time of the pitch envelope. This modulation destination cannot be modulated continuously. The time is updated only when the segment starts.

Modulates the sustain level of the pitch envelope. This modulation destination cannot be modulated continuously. The level is updated only when the segment starts.

Modulates the release time of the pitch envelope. This modulation destination cannot be modulated continuously. The time is updated only when the segment starts.

Modulates the level of the last pitch envelope node. This modulation destination cannot be modulated continuously. The level is updated only when the segment starts.

Modulates the level of the first user envelope node. This modulation destination cannot be modulated continuously. The level is updated only when the segment starts.

Modulates the attack time of the user envelope. This modulation destination cannot be modulated continuously. The time is updated only when the segment starts.

Modulates the level of the second user envelope node. This modulation destination cannot be modulated continuously. The level is updated only when the segment starts.

Modulates the decay time of the user envelope. This modulation destination cannot be modulated continuously. The time is updated only when the segment starts.

Modulates the sustain level of the user envelope. This modulation destination cannot be modulated continuously. The level is updated only when the segment starts.

Modulates the release time of the user envelope. This modulation destination cannot be modulated continuously. The time is updated only when the segment starts.

Modulates the level of the last user envelope node. This modulation destination cannot be modulated continuously. The level is updated only when the segment starts.

You can send any modulation to one of the 16 busses, for example, to produce more complex modulation signals. Select the bus that you want to send the signals to as a destination. To use the modulation that was sent to a bus, assign the corresponding bus as a modulation source.