New Features
New Features in Version 10.0.30
Highlights
The new Folder Separators naming scheme attribute allows you to create a folder structure according to the specified naming scheme. See Naming Scheme Dialog.
You can now copy all clips or only selected clips of a track to another track. See Copying Clips to Other Tracks.
You can now render multiple clips to a single clip and the effects of a single clip to the clip. See Bounce Selected Clips.
More New Features
The Reveal File in File Explorer/macOS Finder option is now also available in the File Browser window when you right-click in the file list. See File Browser Window.
As naming scheme attributes, you can now add hours, minutes, seconds, day, month, year, and Master Section preset name. See Naming Schemes.
Play from Start of New Time Selection now allows you to play back a new time selection from the beginning of the selection. See Transport Bar.
The number of track groups was increased from 10 to 26. See CD Window.
For WAV and AIFF files, you can specify the sample attribute gain. See Sample Attributes Window.
Since WaveLab Pro 10, you can undo edits even after saving a file. Now the option Allow Undoing Edits after Saving File allows you to deactivate this function. This frees up disk space and removes all temporary files when saving. See Editing Tab.
New Features in Version 10.0.20
The new channel options Multi Stereo and Multi Stereo/Mono allow you to record multiple stereo files simultaneously. See Audio File Format Dialog.
New Features in Version 10.0.0
Highlights
The extended external effects functionality allows you to integrate external effect devices into WaveLab Pro. See External Effects.
The Audio Editor now also has a History window. This allows you to see all versions of the audio file that you are working on. You can restore previous versions. See History Window for Audio Files.
Rendering audio files in real time allows you to listen to the audio file while it is being rendered. See Rendering Audio Files in Real Time.
You can edit clips inline in a non-destructive Waveform Editor or Spectrum Editor. This allows you to edit a selection range without modifying the original clip. See Inline Editing.
This window allows you to add effect plug-ins to tracks, clips, and the montage output. The Inspector replaces the Effects window. See Inspector Window.
The reference track allows you to compare your mix to a reference audio file or input signal without latency. See Reference Track.
You can monitor and render the audio input through the Master Section. Optionally, you can add plug-ins and external effects to the live input rendering. You can also render multiple live input streams with different plug-ins and output formats in parallel. See Live Input Rendering.
WaveLab Pro supports the integration of video files in your project. See Video.
You can now edit audio files and clips in external editors. For example, in SpectraLayers, Izotope RX, or Melodyne 4. See External Editors.
More New Features
REVelation produces a high-quality algorithmic reverb with early reflections and reverb tail. This plug-in is described in the separate document āPlug-in Referenceā. For further information, see the Plug-in Reference documentation on steinberg.help.
Frequency is a high-quality equalizer with 8 fully parametric bands. The bands can act as either shelving filter, as peak or notch filter (band-pass), or as cut filter (low-pass/high-pass). This plug-in is described in the separate document āPlug-in Referenceā. For further information, see the Plug-in Reference documentation on steinberg.help.
Magneto II simulates the saturation and compression of recording on analog tape machines. This plug-in is described in the separate document āPlug-in Referenceā. For further information, see the Plug-in Reference documentation on steinberg.help.
By default, reverting to a previous version deletes all versions that were created after the selected version. Now, you can keep undone versions when reverting to previous versions. See Reverting to Previous Versions.
Edit indicators allow you to see where audio parts have been edited. You can then recover previous versions of the edited parts without losing the changes you have made to the rest of the audio. See Edit Indicators.
The track control area offers several new navigation options and other settings. See Track Control Area.
You can now freely resize the track height and width in the montage window. See Resizing Tracks.
You can now record on multiple tracks in the audio montage. See Recording on Multiple Tracks.
You can now add 16 effect plug-ins to the Effects pane in the Master Section. See Effects Pane.
The scripting system now allows you to run batch processors. For further information, see the WaveLab Pro Scripting documentation on steinberg.help.
In the File Browser window, you can now listen to the selected audio file from any position by clicking the waveform in the Preview area. If the audio file contains markers, the markers are displayed in the preview waveform. See File Browser Window.
The Audio-Processing Load display shows the average audio-processing load of plug-ins during playback. This allows you to monitor the number of plug-ins you can use. See Audio-Processing Load.
You can make markers snap to the nearest zero-crossing point on the waveform when you create markers via key commands. See Snapping to Zero Crossing When Creating Markers.
When you save audio files, the history is no longer deleted. Now you can use undo/redo even after saving audio files. See Saving an Audio File.
You can now add ITRK (track number) and IFRM (total number of tracks) to the RIFF metadata. You can now also add TCMP (Part of a compilation) to the ID3v2 metadata. See Metadata.
Now you can add the metadata TCMP (Part of a compilation) to your audio file. See Metadata Dialog.
This option allows you to see the CD track that is played back from within the CD window. See CD Window.
The toolbar of the CD window now displays the album title of the CD. See CD Window.
If you render audio montages to audio files in real time, this allows you to listen to the audio file while it is being rendered. See Rendering Audio Montages to Audio Files in Real Time.
This option allows you to see the marker that is played back from within the Markers window. See Markers Window.
The Quantize options in the Move Multiple Markers dialog allow you to automatically apply quantization after the markers have been moved. See Move Multiple Markers Dialog.
You can now import markers from XML files. See Marker Import and Export.
You can now import XML marker files into the Batch Processor. This allows you to apply a marker structure to multiple files. See Importing XML Marker Files into Multiple Files.