The Control Room allows you to divide the studio environment into the performing area (studio) and the engineer/producer area (control room).
The Control Room Main tab displays information and controls for the channels that you define on the Control Room tab in the Audio Connections window.
The Monitors section allows you to select and configure the monitor sets.
The following list informs you about the most important improvements in Cubase and provides links to the corresponding descriptions.
This is the Operation Manual for Steinberg’s Cubase. Here you will find detailed information about all the features and functions in the application.
Operation Manual
To use Cubase, you must set up your audio, and if required, your MIDI system.
To play back and record in Cubase, you must set up input and output busses in the Audio Connections window. Here, you can also set up group and FX channels, external effects, external instruments, and the Control Room.
The Project window provides an overview of the project, and allows you to navigate and perform large scale editing.
In Cubase, projects are the central documents. You must create and set up a project to work with the program.
Tracks are the building blocks of your project. They allow you to import, add, record, and edit parts and events. Tracks are listed from top to bottom in the track list and extend horizontally across the Project window. Channels can be shown for all audio-related and MIDI-related tracks.
Tracks are the building blocks of your project. In Cubase, events and parts are placed on tracks.
Parts and events are the basic building blocks in Cubase.
Editing is not restricted to handling whole events and parts. You can also work with selection ranges, which can be independent from event, part, and track boundaries.
Cubase offers multiple methods and functions to control playback and transport.
The On-Screen Keyboard allows you to play and record MIDI notes by using your computer keyboard or mouse. This is useful if you have no external MIDI instrument at hand and you do not want to draw in notes with the Draw tool.
In Cubase, you can record audio and MIDI.
You can add audio and MIDI files to your project by importing them.
Quantizing means moving recorded audio or MIDI and positioning it on the nearest grid position that is musically relevant. Quantizing is designed to correct errors, but you can also use it in a creative way.
Fades allow you to gradually increase or decrease the volume at the start or at the end of audio events or audio clips, and to create smooth transitions.
The arranger functions in Cubase allow you to work in a non-linear fashion. Using an arranger track allows you to determine how and when specific sections are played back, even for live performances. This way, you do not need to move, copy, and paste events in the Project window.
The transpose functions for audio and MIDI in Cubase allow you to change the pitches of audio and MIDI for playback without changing the actual MIDI notes or the audio.
Markers are used to locate certain positions quickly. There are two types of markers: position markers and cycle markers.
The MixConsole provides a common environment for producing mixes in stereo or surround. It allows you to control level, pan, solo/mute status, etc. for audio and MIDI channels. Furthermore, you can set up the input and output routing for multiple tracks or channels at the same time. You can undo/redo MixConsole parameter changes for an open project at any time.
VCA faders serve as remote controls for groups of channel faders in the MixConsole.
To be able to use the Control Room, you must first add the channels that you need.
Generally, the port assignment to the Control Room channels is exclusive. However, it can be useful to create monitor channels that share device ports with each other as well as inputs and outputs. This can be helpful if you use the same speakers as a stereo pair and also as the left and right channels of a surround speaker configuration, for example.
Each Control Room channel type that you create defines an input or output of the Control Room.
The External section allows you to use external inputs for monitoring external devices. It is only shown if you have added more than one external input in the Audio Connections window.
The Cue Channel section allows you to set up cue channels for sending cue mixes.
The Channels section shows the speaker arrangement of the Main Mix bus.
The Downmix Presets section allows you to configure downmix presets.
The Phones section allows you to use the phones channel in the Control Room to listen to cue mixes.
The Control Room channel is the representation of the bus that is set up as the Main Mix bus on the Outputs tab in the Audio Connections window.
The Control Room Inserts tab contains additional settings for the channels.
You can create a cue mix from the fader and pan levels that are used in the MixConsole and change them to meet the needs of the individual performers.
You can adjust multiple send levels for the cue send mix at the same time, keeping the blend intact while lowering the overall volume. This is sometimes necessary, because the levels in the main mix are often optimized for the loudest possible signal level without clipping.
Cubase provides a master meter that works as a multi-channel true peak meter and a loudness meter that allows you to measure the loudness in compliance with the loudness recommendation R 128 of the European Broadcasting Union (EBU).
Cubase comes with a number of included effect plug-ins that you can use to process audio, group, and instrument channels.
Direct Offline Processing allows you to instantly add plug-in effects and audio processes to the selected audio events, clips, or ranges, without destroying the original audio.
In Cubase, time-stretching and pitch-shifting algorithms are used for offline processes, in the Sample Editor, or for the Flattening Realtime Processing function. Depending on the feature, élastique, MPEX, or Standard algorithm presets are available.
Cubase offers particular functions for analyzing the audio in your project.
The Sample Editor provides an overview of the selected audio event. It allows you to view and edit audio by cutting and pasting, removing, or drawing audio data, as well as by processing audio. Editing is non-destructive so that you can undo modifications at any time.
Hitpoints mark musically relevant positions in audio files. Cubase can detect these positions and create hitpoints automatically by analyzing onsets and melodic changes of the audio.
Cubase offers several functions that allow you to match the tempo of the audio in your project.
The VariAudio features in Cubase allow you to edit pitch, and correct the timing and intonation of individual notes in monophonic vocal recordings.
The Audio Part Editor provides an overview of the selected audio parts. It allows you to view, audition, and edit parts by cutting and pasting, crossfading, drawing level curves, or by processing parts. Editing is non-destructive so that you can undo modifications at any time.
Cubase supports extensions such as Audio Random Access (ARA). Extensions allow you to integrate compatible programs as plug-ins into your DAW.
The sampler track feature allows you to chromatically play back any audio from your audio sample library via MIDI. You can create and edit new sounds based on specific samples and integrate them into an existing project.
Every time that you record on an audio track, a file is created on your hard disk. A reference to this file, a clip, is added to the Pool.
You can manage media files on your computer as well as presets from multiple sources from within the MediaBay or the Media rack.
Cubase provides integrated surround sound features with support for several formats. All audio-related channels and busses can handle multi-channel speaker configurations. A channel in the MixConsole can contain either complete surround mixes or an individual speaker channel as part of a surround setup.
In essence, automation refers to recording values for a particular MixConsole or effect parameter. When you create your final mix, Cubase can adjust this particular parameter control.
VST instruments are software synthesizers or other sound sources that are included with Cubase. They are played internally via MIDI. You can add effects or EQ to VST instruments.
Cubase supports the VST 2 and VST 3 plug-in standards. You can install effects and instruments that comply with these formats.
Cubase allows you to set up 8 different track parameters or settings as Track Quick Controls for quick access.
MIDI Remote allows you to integrate and use third party MIDI controllers in Cubase.
You can control Cubase with a connected MIDI device via MIDI.
MIDI realtime means that you can change or transform MIDI events on MIDI or instrument tracks before they are sent to the MIDI outputs. This allows you to change the way MIDI data is played back.
The MIDI Device Manager allows you to work with MIDI devices, that is, representations of external MIDI hardware.
MIDI functions allow you to permanently edit MIDI events or MIDI parts in the Project window or from within a MIDI editor.
There are several ways to edit MIDI in Cubase. You can use the tools and functions in the Project window for large-scale editing or the functions on the MIDI menu to process MIDI parts in various ways. To manually edit your MIDI data on a graphical interface, you can use the MIDI editors.
Expression maps allow you to set up a map for all of your articulations. This allows you to audition a project including articulations.
Note expression allows you to edit MIDI notes and their expressions as one unit.
The chord functions offer many possibilities for working with chords.
Chord pads allow you to play with chords and to change their voicings and tensions. In terms of harmonies and rhythms, they allow for a more playful and spontaneous approach to composition than the chord track functions.
The Project Input Transformer is a powerful tool for search and replace functions performed on MIDI data.
The Logical Editor is a powerful tool for search and replace functions performed on MIDI data.
The Project Logical Editor is a powerful tool for search and replace functions in the Project window.
You can set up a tempo and time signature for your project. By default, the tempo is set to 120 BPM, and the time signature to 4/4.
You can render existing material to new audio material.
The Export Audio Mixdown function allows you to mix down and export all audio that is contained between the left and right locators of a project or in ranges defined by cycle markers.
Synchronization is the process of getting 2 or more devices to play back together at the same speed, position, and phase. These devices can range from audio and video tape machines to digital audio workstations, MIDI sequencers, synchronization controllers, and digital video devices.
VST System Link is a digital audio network system that allows you to link several computers using digital audio hardware and cables.
Cubase allows you to work with video content.
Cubase supports a number of file formats that you can use to exchange files with other applications.
Key commands are assigned to most main menus and functions in Cubase. They are used for all of your projects.
In Cubase, you can organize windows and dialogs in workspaces, set up the appearance of specific elements, and save program settings as profiles.
To fully benefit from all the capacities of your Cubase system in terms of audio performance, you can optimize specific settings.
The Preferences dialog provides options and settings that control the global behavior of the program.
