New Features

The following list informs you about the most important improvements in Cubase and provides links to the corresponding descriptions.

New Features in Version 12

Highlights

Raiser Plug-in
  • Raiser is a versatile limiter plug-in that can increase the loudness of the audio material to a high extent. Its range goes from smooth limiting of solo tracks and full mixes to a rather aggressive limiting, best suited for percussive material. The plug-in is described in the separate document Plug-in Reference. See Raiser.

FX Modulator Plug-in
  • This new multi-effect modulation plug-in combines several modulation effects that allow for extensive sound shaping, from classic ducking effects to exciting rhythmic patterns. You can create custom shaped LFOs and modulate up to 6 integrated effect modules at once. The LFO can be triggered via MIDI or separate side-chain inputs, where the envelope of the side-chain signal is added to the LFO. The plug-in is described in the separate document Plug-in Reference. See FX Modulator.

Verve
  • Verve is a felt piano with a beautiful and warm sound, enabling you to tell a new story with every single key you play. The VST instrument is described in the separate document Verve. See Verve.

Sample Accurate Volume Automation
  • The new Volume Automation Precision function allows for volume automation that is 100% sample accurate, regardless of the buffer size. You can set the number of samples after which a new volume automation event is processed. The automation curve between the processed events is interpolated. This smoothens transitions between automation events and prevents sudden jumps which may lead to crackles. See Audio System Page.

Editing Workflow Improvements
  • The new nudge grid options let you edit independently from the project grid. This allows you to work with a musical Bars+Beats grid for all mouse operations while fine-tuning positions and lengths of events and parts using Nudge key commands. See Setting up a Snap Grid for Nudge Operations.

  • You can now move event ends to the project cursor position. See Move Submenu.

  • We have extended key-command-based operations for creating and adjusting range selections. It is now possible to also increase/decrease the vertical direction to span range selections across multiple tracks. This way, you can entirely rely on key command support to adjust and move a range selection in all four directions. See Adjusting the Size of Selection Ranges.

AudioWarp Improvements
  • You can now perform phase-coherent AudioWarp operations for parts and events on all tracks within a folder track. See Group Editing Mode.

  • The new Free Warp mode of the Time Warp tool allows you to perform quick warp operations by creating and editing warp markers on events in the Project window. See Time Warp.

Scale Assistant for VariAudio
  • Whether you want to get creative with melodies or correct the pitch of your recordings, the Scale Assistant in VariAudio brings two powerful tools together to make pitch editing a breeze. Just set the scale and follow the chord track or let the Scale Assistant suggest the scale, based on your recorded notes. You can then instantly quantize the pitch of your recording or snap the VariAudio pitch editing to the scale. See Selecting a Musical Scale for VariAudio Segments.

Permanently Applying Extensions
Sampler Track Improvements
  • You can now use your AudioWarp and Quality settings for slice playback. See Playback Section.

Authoring for Dolby Atmos
  • You can now create complete mixes with object-based audio content for Dolby Atmos® without additional software or hardware. See Object Audio in Cubase.

  • The Setup Assistant for Dolby Atmos dialog helps you to set up a fully compliant Dolby Atmos® project. The assistant allows you to add a main mix channel in a 3D channel configuration up to 7.1.4, to insert the Renderer for Dolby Atmos plug-in for monitoring, and to automatically route the existing tracks of your project to a bed group channel. This way, you can set up a perfect starting point for creating mixes for Dolby Atmos® in Cubase. See Setup Assistant for Dolby Atmos.

  • The Renderer for Dolby Atmos now offers a binaural downmix for monitoring Dolby Atmos mixes via headphones and allows you to measure the loudness of the renderer output signal. See Renderer for Dolby Atmos Plug-in Panel.

  • In the ADM Authoring for Dolby Atmos window, you can configure objects and beds from existing tracks in the project and customize the object structure. See ADM Authoring for Dolby Atmos Window.

  • Cubase allows you to export your own Dolby Atmos® mixes as fully compliant Audio Definition Model (ADM) files in Broadcast Wave Format (BWF). See ADM Files.

MIDI Remote Integration
  • MIDI controllers are essential to every music production setup and, in Cubase, integrating them has reached a new level. Built around the new concept of MIDI remote scripts, Cubase will automatically detect your device and map the controls. If there is no script for your device yet, you can easily create your own with the MIDI Controller Surface Editor. You can then conveniently connect controls and parameters with the Mapping Assistant. See MIDI Remote.

Logical Editing Improvements
  • The user interface and the layout of the Track Input Transformer have been modernized and made consistent to the overall application look & feel, and the Preset Browser has been renewed. See Track Input Transformer.

  • The user interface and the layout of the Project Input Transformer have been modernized and made consistent to the overall application look & feel, and the Preset Browser has been renewed. See Project Input Transformer.

  • The user interface and the layout of the Logical Editor have been modernized and made consistent to the overall application look & feel, and the Preset Browser has been renewed. See Logical Editor.

  • The user interface and the layout of the Project Logical Editor have been modernized and made consistent to the overall application look & feel, and the Preset Browser has been renewed. See Project Logical Editor.

Creating Chord Events from Audio Events
  • You can now drop your audio recording on the chord track and Cubase will lay out the chord progression for you. And if the detection does not match your scale, the Chord Assistant can suggest the nearest alternatives based on the following chords. See Creating Chord Events from Audio Events.

Project Logical Editor Pre- and Post-Commands
New Performance Meter

More New Features

Lin One Dither Plug-in
  • Lin One Dither is a dithering plug-in that uses advanced algorithms and offers additional noise shaping to increase the apparent signal-to-noise ratio by altering the spectrum of the low-level audio signal. The plug-in is described in the separate document Plug-in Reference. See Lin One Dither.

SuperVision Plug-in
  • The fully customizable multimeter audio analyzer comes with new modules: A classic VU meter, Spectrum Keyboard, Balance, Level Histogram, and Loudness Histogram. The plug-in is described in the separate document Plug-in Reference. See SuperVision.

StepFilter Plug-in with New Randomize Parameters
  • StepFilter now allows you to apply a certain deviation of the base cutoff and base resonance parameters with each new cycle of the pattern. The plug-in is described in the separate document Plug-in Reference. See StepFilter.

Support for Second Video track
  • You can now use up to 2 video tracks in Cubase projects. This also enables you to import all video tracks from existing Nuendo projects. See Video Tracks.

Importing Tempo and Signature Tracks
Exporting Selected Events
  • Cubase now allows you to render selections or range selections of audio events and MIDI parts and export the rendered audio .wav files. See Exporting Selected Events.

Improved Crossfade Editor
  • The advanced Crossfade editor offers more control, new operations, and advanced editing, to help you create the perfect blend. See Crossfade Editor.

Markers
  • The new Markers window gives you a better overview of the markers used in your project and facilitates editing. See Markers Window.

4th MixConsole Window
  • You can now open up to 4 MixConsole windows in Cubase. See MixConsole.

Increased Number of VCA Faders
Sample Editor Editing Improvements
  • The Sample Editor toolbar now comes with several improvements for displaying, zooming, and editing clips and events. See Sample Editor Toolbar.

Extensions on Audio Track Level
MixConvert V6 Supports Lt/Rt Matrix Encoding
  • You can now produce fully compatible Dolby Pro Logic II mixes with Lt/Rt matrix encoding, including 90° phase shift of the surround channels. See MixConvert V6 Plug-in Panel.

Last but Not Least

WinRT MIDI Support
  • Cubase now supports the Windows Runtime MIDI API, WinRT MIDI, that allows for native support of bluetooth MIDI in Windows, better plug and play, and better handling of multiple identical devices. See MIDI Port Setup Page.

Move the Project Cursor in Fixed Steps via Key Commands
  • You can now assign additional key commands that allow you to move the project cursor in fixed steps of 5 s, 10 s, and 20 s, forward or backward. See Setting the Project Cursor.

Fades Command Extensions
Improved Silence Detection
  • The new audition function allows you to directly preview any position in the analyzed audio event. Furthermore, you can apply fade ins and fade outs to the resulting audio events. See Detect Silence Dialog.

Event Display Improvements
New Application Scaling Menu for Native Windows Scaling for HiDPI
  • You can now scale the Cubase user interface relative to the Windows system scaling setting. See General.